Some days you just can’t help but mock a bad movie.
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Released 2014. Directed by David Fincher. Screenplay by Gillian Flynn, adapted from her novel of the same name. Starring Ben Affleck, Rosamund Pike, Carrie Coon, Kim Dickens, Tyler Perry.
There’s no discussing Gone Girl without giving everything away from the first sentence, and this review leaves no plot point unexposed. Trust me, just see the film.
David Fincher is infamously exacting. While shooting Zodiac, his demand for precision and detail, expressed through shooting scenes upwards of 70 times before moving on, came under fire from some of his actors. It wasn’t the first time, and it won’t be the last. His response was simple: “The first day of production in San Francisco we shot 56 takes of Mark and Jake – and it’s the 56th take that’s in the movie.” Fincher knows what he wants to achieve, and won’t leave until he has it. For the viewer, it’s reassuring. I feel confident that what I see in a Fincher film is exactly what is meant to be there. Everything is deliberate and necessary.
What this means it that there exists nobody better suited to direct Gone Girl, a crime drama that is about, above all else, image management. Nothing is left to chance. It feeds us information slowly and deliberately, making us suspicious of every gesture, every line of dialogue, every pause. Sets are somehow bare and devoid of action, yet we know that there’s detail and purpose in everything, because we know Fincher.
It’s what any good mystery ought to be, but Gone Girl goes further. It’s not just about a how a woman disappeared and who’s responsible. Solving the crime is just part of the story. Gone Girl is about how the story is told. The different versions different people see or are given. How and why we lie or deceive. What we want others to know and how we get inside their heads to construct narratives they’ll believe. How people change, what they hide from others, how it comes out, rapidly over days or gradually over years, and the difficulty in knowing someone, or even knowing how much you know about them. It’s about the importance and power of perception and representation.