sci-fi

Eavesdropping at the Movies – Blade Runner 2049 – Second Screening

We couldn’t stay away. And with a second viewing, time to percolate, and responses from friends informing us, Eavesdropping once again delves into Blade Runner 2049.

What to make of the film’s representation of women? How does the film use names? Why did Mike have a little weep at the end this time? Do gay women have cottages? Does the film function as a story about slavery? What about criticisms of its lack of diversity in casting?

Why do people think this film is dull? Is it the film’s fault? Television’s? Humanity’s? Why don’t we care to engage visually any more?

Most importantly, what do the bees mean?

The podcast can be listened to in the player above or at this link.

With José Arroyo of First Impressions.

Advertisements

Eavesdropping at the Movies – Blade Runner 2049

Blade Runner 2049 is something else. You simply must see it on the biggest screen you can find. Do not listen to us if you care about the film because we go heavy on the spoilers. (We always go heavy on the spoilers, but this film is good so it actually matters.)

I’m not very good in this one but Jose more than makes up for me so it’s okay.

The podcast can be listened to in the player above or at this link.

With José Arroyo of First Impressions.

Eavesdropping at the Movies – The Dark Tower

Stephen King’s The Dark Tower is a lovely big fresh movie hoping to become a lovely big lucrative franchise. Does it have what it takes? Can we possibly agree on Idris Elba? Is Matthew McConaughey showing his chest off or keeping his shirt on more than usual? What of 4DX, the silly thing where the seats move and poke you and blow air in your ears? And who has better eyebrows than Cara Delevingne?

The podcast can be listened to in the player above or at this link.

With José Arroyo of First Impressions.

Edge of Tomorrow

Edge of Tomorrow Cruise

Released 2014. Directed by Doug Liman. Screenplay by Christopher McQuarrie and Jez & John-Henry Butterworth. Based on “All You Need Is Kill” by Hiroshi Sakurazaka. Starring Tom Cruise, Emily Blunt, Bill Paxton.

Aren’t we getting tired of my reminding you that I reveal plot spoilers in these things? It’s like I’m repeating myself day after day after day…

I had low expectations of Edge of Tomorrow. After Knight and Day, I was wondering whether Tom Cruise should give up the action movies. He’s getting on, after all. I’d seen the trailer and sarcastically summed up the premise as Groundhog Day meets Starship Troopers meets D-Day from Saving Private Ryan. I was anticipating two hours of unintelligible nonsense with Cruise’s face glued over it in the hope I wouldn’t notice. It looked so… stupid.

I’m so glad to say that I needn’t have worried. While my sarcastic description is absolutely correct, I didn’t realise that there was a good version of that mashup to be made. Edge of Tomorrow is creative. It’s funny. It’s energetic. It eschews darkness and introspection – it’s constantly on the move, doing new things. In some ways it’s a real throwback to the way it used to be done before Christopher Nolan showed up with his grumpy Batman. This is what action movies should be like.

(more…)

Godzilla

Released 2014. Directed by Gareth Edwards. Screenplay by Max Borenstein. Story by David Callaham. Starring Aaron Taylor-Johnson, Ken Watanabe, Bryan Cranston.

The first thing you have to do is see this on the most enormous screen you can find. The second thing you have to do is come back here and agree with me about why you were utterly thrilled and only a little disappointed.

There are two possibilities. Either that I make the wrong demands of blockbusters, or that it doesn’t matter what my demands are because my expectations are so low that I end up pathetically satisfied with whatever I get. I say this because I appear to be the only member of my entire circle of friends and acquaintances who liked Godzilla, and surely they can’t all be wrong?

(more…)

Under the Skin

Under the Skin

Released 2014. Directed by Jonathan Glazer. Screenplay by Walter Campbell, based on “Under the Skin” by Michel Faber. Starring Scarlett Johansson.

Under the Skin is film of a type that is predictably disappointing. It’s beautiful, methodical and curious, and absolutely impenetrable. It’s of a type that is legitimised by people who express distaste for tentpole releases, saying that films shouldn’t tell simply tell the audience everything they have to offer; that as a viewer, I need to be putting in the work to extract meaning. Indeed, I agree with this. It’s the intensity with which that opinion is held that I find problematic, because it ends up allowing wilfully opaque films to evade criticism – it’s as though they’re so difficult to understand, they must be saying something meaningful, even though you haven’t a clue what it is. This is the case with Under the Skin, a film that is utterly unyielding to interpretation. The overall experience is frustrating, though enticing.

(more…)

Her

Released 2014. Written and directed by Spike Jonze. Starring Joaquin Phoenix, Scarlett Johansson, Amy Adams.

Her, written and directed by Spike Jonze, is a curious film. It’s intriguing, smart, heartfelt and, for the most part, engrossing. It’s off-kilter and quirky in just the right way. But as a satire, it didn’t have much to say. As a drama, it failed to move me. And it really loses its way towards the end.

But before we get to that, I want to talk about what there is to like about Her. And there’s a lot to like.

(more…)